“A shape catches his eye in the streets of New York or Paris — a dismantled chair, the foot of a table. Downstream, a floating branch, a stump caught on the river bank… Keith Long finds his inspiration in the roots of time…. With a patina like Mesopotamian temple walls, assemblages which mix warrior’s helmets and pyramids, starting with abandoned wood with unknown destinies, we come to the heart of a timeless construct.”
— Lelia Mordoch